Finest vlogging digicam? Panasonic G100, Sony ZV-1, Canon G7X 3

Best vlogging camera? Panasonic G100, Sony ZV-1, Canon G7X 3

(Pocket-lint) – Conventional digicam makers are taking pictures to win in an increasing market sector: vlogging cameras. The place YouTube is king, extra makers are in search of higher methods to seize themselves and their environment in higher high quality.

We choose three of one of the best choices on the market – the Panasonic Lumix G100, Sony Vlog Digicam ZV-1, and Canon Powershot G7 X III – that can assist you determine which makes finest sense to purchase and why.


Dimension & Portability

  • Panasonic Lumix G100: 115.6 x 82.5 x 54.2mm; 412g (with 12-42mm lens)
  • Sony Vlog Digicam ZV-1: 105.5 x 60 x 43.5mm; 294g 
  • Canon PowerShot G7 X M3: 105.5 x 60.9 x 41.4mm; 304g

Small is typically mightiest. Whereas all three of those cameras are small, it is the Sony that can really feel lightest and most transportable. There’s not an enormous quantity in it although.

Sensor Dimension & Lens

  • Panasonic Lumix G100
    • Sensor: 20MP Micro 4 Thirds
    • Lens: Interchangeable lens mount
      • 12-32mm package lens (24-64mm equal)
  • Sony Vlog Digicam ZV-1
    • Sensor: 20MP 1.0-inch Exmor RS CMOS
    • Lens: 24-70mm f/1.8-2.8 equal
  • Canon PowerShot G7 X M3
    • Sensor: 20.1MP 1.0-inch stacked CMOS
    • Lens: 24-100mm f/1.8-2.8 equal

Nonetheless, there is a massive cause for the variance in dimension: sensor dimension and every lens’ focal size.

Each Sony and Canon fashions have fixed-in-place zoom lenses, whereas Panasonic’s G100 is a system digicam with interchangeable Micro 4 Thirds lenses – which makes it probably way more versatile (and a bit bigger and heavier by comparability).

All three of those cameras home sensors which might be bigger than an entry-level compact, which bodes properly for high quality. The Sony and Canon each use stacked 1-inch dimension CMOS sensors. The Panasonic has the bigger scale sensor, nonetheless, which must imply larger potential with regards to background blur (bokeh) and total high quality.

The package Panasonic G100 comes with a 12-32mm pancake zoom – which delivers a 24-64mm equal zoom. That is the identical on the wide-angle because the 24-70mm of the Sony ZV-1 and the 24-100mm of the Canon G7 X III. Word that the Canon can zoom the furthest – i.e. make farther away topics look closer-up within the body.

Audio, Mic Enter

  • Panasonic Lumix G100: OZO Audio by Nokia (audio monitoring / positioning), 3.5mm mic enter, micro HDMI out
  • Sony Vlog Digicam ZV-1: 3.5mm mic enter, micro HDMI out, deadcat wind-shield included
  • Canon PowerShot G7 X M3: 3.5mm mic enter, micro HDMI out

An enormous cause to purchase a devoted digicam for video is for its audio skills. All three of those cameras provide a 3.5mm microphone enter, so you’ll be able to join an adjunct microphone as you please – whether or not that is a directional shotgun mic, a wi-fi mounted mic, or every other variety of potentialities.

Nonetheless, you will not essentially at all times need to use a microphone. It is right here that Sony comes up trumps by together with what’s referred to as a deadcat within the field – a fluffy microphone cowl that sits up high and stops wind noise from creating these ‘tearing’ sounds.

Probably the most superior of the lot, nonetheless, is Panasonic’s Lumix G100. For the primary time in a digicam this contains OZO Audio by Nokia, which utilises the three onboard microphones to report in a directional format – you’ll be able to outline whether or not you need behind, in entrance, or subject-tracked to be sound supply remoted. That is the true massive winner: the system’s autofocus contains face detection which might be audio synched, in order the topic strikes by way of the body the OZO tech will use the proper proportion of microphones to channel that audio isolation. Very intelligent.


Display screen & Viewfinder

  • Panasonic Lumix G100: 3-inch 1,840k-dot vari-angle touchscreen LCD; built-in 3,680k-dot EVF
  • Sony Vlog Digicam ZV-1: 3-inch 921k-dot vari-angle touchscreen LCD; no EVF
  • Canon PowerShot G7 X M3: 3-inch 1,040k-dot vertical tilt-angle touchscreen LCD; no EVF

Conventional cameras aren’t nice for vlogging on account of their fastened screens. All three of those cameras, nonetheless, provide mounted LCD screens that may be repositioned: the Canon’s flips ahead vertically; the Sony’s and Panasonic’s are side-mounted and subsequently provide much more versatile positioning potential. 

By way of display screen decision the Panasonic is much and away probably the most resolute – though at arm’s size we doubt you may discover an enormous distinction on this, and truly extra dots on display screen is simply extra of a battery drain.

Of the three cameras solely the Panasonic has a built-in digital viewfinder (EVF). That is extra for taking pictures nonetheless pictures or shielding from daylight to higher choose publicity and composiiton – so actually has its use instances.

Video Credentials

  • All fashions: As much as 4K at 30fps
    • Panasonic: As much as 9mins 59secs
    • Sony: As much as 5mins to keep away from overheating
    • Canon: As much as 9mins 59secs
  • Panasonic Lumix G100: 1080p at 60fps (29m 59s most)
  • Sony Vlog Digicam ZV-1: 1080p at 120fps (29m 59s most)
  • Canon PowerShot G7 X M3: 1080p at 120fps (29m 59s most)

Being vlogging focused, all three cameras cater for 4K decision at 30fps most (and with 100Mbps in all instances, making certain there’s sufficient information for optimum high quality). Nonetheless, the Sony can solely report for half the time in comparison with the opposite two to keep away from overheating – and even then the Canon and Panasonic max out at 10 minutes at this decision.

In the event you’re in search of Full HD recording to up your recording time, save on bandwidth, cupboard space, and enhancing processing pressures then all three cameras can cater for 1080p too.

Sluggish-motion is finest dealt with by the Sony, with Full HD at 240fps/480fps/960fps obtainable. The Canon affords 120fps slow-motion. The Panasonic’s spec sheet says 120fps sensor output is feasible too – however that in-camera seize is 60fps.


  • Panasonic Lumix G100: 5-axis hybrid stabilisation (4-axis for 4K video)
  • Sony Vlog Digicam ZV-1: Steadyshot for Film hybrid stabilisation
  • Canon PowerShot G7 X M3: 5-axis Superior Dynamic IS & Auto Degree

Stabilisation is essential with regards to video. Though you could want to purchase a handheld gimbal for further stabilisation for these ultra-smooth video outcomes.

All three cameras provide hybrid stabilisation programs – that is to say there’s optical lens-shift working in tandem with digital stabilisation (utilizing a portion of the sensor as a buffer to counter movement). We have not examined these three aspect by aspect so cannot say which is better of the bunch.



The large query: which one to decide on? Properly, if value comes into the equation then the Sony is the priciest of the lot. That could be a little bit of a shock when the Panasonic affords a extra superior audio isolation system, has a bigger sensor dimension, and interchangeable lenses.

If dimension is your greatest concern then the Sony is the lightest of the bunch, which helps when it comes to portability. It is also acquired probably the most muscle with regards to slow-motion choices – though its 4K seize is extra time-limited than the opposite two.

The choice, as they are saying, is yours.

Writing by Mike Lowe. Initially revealed on .

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